Sittings

The year in portraits.

A Silver-Grey Dorking rooster with silvery-white hackles, a solid black breast, a glossy black tail and a large red single comb, in a tan waxed-canvas chore coat with a brown corduroy collar, cut to fit a bird, standing on scaled pale pink rooster legs with talons on the seat of an old wooden spindle-back chair in a knotty-pine lakeside cottage, a sofa and armchair draped in white dust sheets around him, a lattice-topped red berry pie in a glass dish with one slice gone, a folded tea towel and a wooden canoe paddle on a pine table beside him, a half-closed louvred shutter and a window behind showing a grey lake and a far shore of red, orange and green autumn trees under an overcast sky

Latest · The Pie Will Not Fit in the Car

Dust Sheets

The dock came in on Saturday, and the canoe went under the porch on Sunday, after the dinner. Today is for the sheets, the shutters and the question of the pie. He has been considering it since breakfast from the one chair still uncovered, while the maples across the water get on with their own closing up.

12 October 2026

October 2026

11 sittings

A Jersey Giant rooster with smooth glossy black plumage and a large red single comb, in a camel wool overcoat over a cream roll-neck, seated upright like a gentleman on a weathered wooden garden bench beside a low white picket gate, folded black wing feathers resting on his knees and scaled dark grey rooster legs with talons on a gravel path, a single plain cream envelope lying face down on the bench beside him and a white enamel mug, a plain green-painted wooden letterbox on the gatepost, a clipped beech hedge turning copper behind him in soft mid-morning autumn light

9 Oct · One Envelope, Addressed in Ink

By Hand

September 2026

30 sittings

A Yokohama rooster with white plumage, red-brown shoulders and a very long flowing white tail in a moss-green corduroy jacket, standing on a blue upholstered window seat of a Japanese bullet train, a lunch box wrapped in an indigo cloth and a white paper cup on the fold-down tray beside him, green rice fields and misty hills passing the rain-spotted window

19 Sept · Somewhere Past Odawara

Ekiben

A white Chantecler rooster with snow-white plumage and a small red comb, in a white linen jacket, perched on the arm of a white wicker armchair on the porch of a shingled summer house at dusk, a blue-and-white striped beach towel and a straw beach bag on a side table, a calm bay with a wooden dock and a moored rowing boat beyond, a lamp glowing in the window

7 Sept · The Last Day for White

Exempt

August 2026

31 sittings

A Red Dorking rooster with deep red and black plumage in a faded blue cotton work jacket and an old brown felt hat, standing on an upturned wooden crate beside a weathered green shed on an English allotment, an enamel mug of tea on the crate, a wooden trug of courgettes and one enormous pale green marrow at his feet, runner beans with red flowers climbing canes and courgette plants behind in hazy evening light

18 Aug · Plot Fourteen

Glut

A Red Dorking rooster with deep red and black plumage, walking upright like a gentleman along a dirt hillside path above Medellín in a white cotton shirt, a red neckerchief and a straw hat with a black band, wing feathers at his cuffs, carrying on his back a wooden frame strapped over his shoulders and piled high with orange lilies, yellow roses, white calla lilies and red heliconias, the city spread across the valley below

9 Aug · Grown, Then Carried

Borne

A Black Orpington rooster with glossy black plumage and a red comb seated in a vintage chrome and burgundy leather barber's chair with his eyes closed, a white-and-grey pinstriped barber's cape draped over him and his scaled feet on the footrest, in a small old Roman barbershop with a marble counter, folded white towels, glass jars, a comb and scissors on a cloth and a copper bowl, a half-lowered roller shutter onto a cobbled street

6 Aug · Until the Twenty-Fourth

Chiuso

July 2026

31 sittings

A Lavender Orpington rooster with lilac-grey plumage in a navy-and-white striped towelling robe, reclining in a striped deckchair beside a turquoise art deco swimming pool, a folded white towel untouched beside him, white deco walls, a diving board and palm trees behind

8 Jul · Lengths Not Taken

Lido

June 2026

28 sittings

A Light Brahma rooster with white plumage, a black-striped neck hackle and feathered feet, in a brown tweed jacket with leather elbow patches and a burgundy cravat, standing on an oak desk in a dim natural history museum archive and peering into an open specimen drawer of shells and pressed leaves, wooden specimen cabinets with brass handles behind him and a green-shaded banker's lamp glowing

18 Jun · Natural History, the Annex

On File

May 2026

26 sittings

A Silver Spangled Hamburg rooster in a midnight-blue velvet dinner jacket with black satin lapels and bow tie, ascending a grand marble staircase shot from a low angle, neoclassical columns and vaulted ceiling above, warm amber uplighting from recessed stair lights

5 May · First Monday, the Stair

Gilt

April 2026

27 sittings

March 2026

31 sittings

February 2026

25 sittings

January 2026

17 sittings

From the Archive

Selected works, 1994–2024

The Patriarch

1994

The Patriarch

Clerkenwell. A borrowed Leghorn, a rented studio, and the afternoon that changed everything.

Cotswolds, Evening

1996

Cotswolds, Evening

The early work was pastoral. We hadn't yet learned to bring the countryside indoors.

Study No. 12

1997

Study No. 12

The first image Alistair considered worth printing. He was right.

Three Sitters

1998

Three Sitters

Our first group composition. The chaise has since been retired. The ambition has not.

Before Judging

1999

Before Judging

The Hampshire County Show. Where we learned that the best subjects never audition.

The New Studio

2003

The New Studio

Mayfair, at last. Proper lighting. Proper space. The work could finally breathe.

Copper Marans, No. 4

2005

Copper Marans, No. 4

The iridescence problem, solved. James printed this seventeen times before he was satisfied.

Test Polaroid

2006

Test Polaroid

The Athenaeum. We got the chair. The rooster got the portrait.

Margot, Preparing

2007

Margot, Preparing

The bow tie was her idea. The Wyandotte had opinions about the colour.

Opening Night

2008

Opening Night

Shoreditch. The first public exhibition. Forty-three people came. Thirty-nine stayed.

The Tweed Cap

2010

The Tweed Cap

The Rembrandt lighting was James's idea. The cap was the rooster's.

The Study

2011

The Study

One consulted the ledger. The other supervised from the Chesterfield. Both billed by the hour.

Golden Laced Wyandotte

2012

Golden Laced Wyandotte

Holbein with feathers. The lace pattern rendered in a way no painter could match.

The Darkroom

2013

The Darkroom

James among his chemicals. The hen wandered in and never left. Neither did he.

Black on Black

2014

Black on Black

The Ayam Cemani. Black feathers, black skin, black bones. The print that entered serious collections.

Bespoke

2016

Bespoke

Savile Row for a Sebright. The tailoring took three fittings. The posture required none.

The Elder

2018

The Elder

His last autumn in the studio. She came to every sitting that year.

The Pandemic Work

2020

The Pandemic Work

When the world emptied out, one subject remained. The work continued.

On Set

2022

On Set

Scene 4A, take three. He required no direction. The crew required patience.

The Staircase

2024

The Staircase

Five breeds. One chandelier. The most ambitious group sitting to date.